Ella Davies

My practice explores materiality and processes through sculpture, installation, film and performance. Conversations and collaboration with peers allows for the cross-fertilisation of ideas and materials, often instigating new work. Knowledge is shared through education, participation and conversation. I construct the frameworks in which events can occur, by facilitating conversation that leads to social action.

A fascination with material is at the core of my practice. Consideration of the material's origin is important when reflecting on the ethical implications of production, so I aim to seek out raw material. I implement slow processes of craft, like weaving or making paper by hand, that undermine the cycle of rapid production and consumption.

Influenced by authors such as Jane Bennett and her theory of vibrant matter, I have learnt to be patient with materials. Foraging in muddy woodlands or digging clay from rivers, inspires themes of growth and decay and is crucial to the cyclical nature of the practice. Using unrefined material means that the artwork can return to the earth upon completion: I work on the basis of what originates from the earth must go back.

Taking time allows one to understand the world as a communion of subjects, subverting traditional Western narratives of objectification. A community orientated practice requires time, attention and nurturing in order to sustain the relationships created.